The Secret Language of Comics

Sealy Misunderstanding

First, I was met with the difficulty of setting up a story. I chose a relatively funny one that I had experienced in my childhood. I divided the story into four panels read from left to right. I do not believe there was any real challenge for this assignment. This was actually easier to execute than the triptych because I had one more panel to explain the story. The layout of the story was done in a way that I think would be easier to read and by splitting the middle scene in two, I was able to give further perspective.

Reality

Making this Quadtriptych involved a brief reflection of the sort of conversations I have had with people regarding the current situation in Ukraine. Mostly between my roommate and I, these interactions are almost daily where we exclaim at the unfortunate reality in Ukraine and almost immediately switch to something else more pertinent (i.e. homework, getting food, or watching youtube).

I am not trying to make a claim about how normal citizens are supposed to stand up, drop everything they are doing, and take immediate action to end this conflict, but at the same time, it is just bizarre how normal we are with a situation that could very easily escalate into something much larger.

Bad Night

This assignment was not as difficult as drawing the triptych. Triptych and quadriptychs are pretty similar. A quadriptych is just making the middle part of the story. The idea came pretty quick to me after looking at a couple of comics by Nathan Pyle. Having the middle act stretch across two panels made story telling a little easier than in a triptych. I made this my story because it would be interesting if the moon and sun had thoughts and looked at what was going down in the world.

Sketch 7: Quadriptych

When composing my quadriptych I tried to think of something that was on the simpler side but also creative. One thing that was challenging was trying to think of an idea what would be easy to draw but still interesting to read. This is relatively similar to the triptych because there is the same level of creativeness that is required but the comic storyline spans for a longer amount of time. This in a way was difficult because there had to be more to the actual story of the comic. The span of the two middle panels versus one made the climax of the comic span on for longer but it did not make it any more difficult. I told this story because I thought of this out of nowhere and I think it is a cute idea. I think I could have added more detail but overall I like how my quadriptych turned out.

Reflection: Tracing Pages

The process of tracing and annotating allows me to dive into the images and recognize the details that got ignored when I was reading the comics at a normal pace. For instance, it allows me to realize the effort Bechdel put into depicting all the details of surroundings in her room: the clothes in the closet, the curtain beside the desk, or even the labels on the cupboard boxes, all of which contribute to enhance a sense of realism. The details also reflect lots of unobvious contrasts: like the different dressing styles of mother and daughter which are reflective of their diverging personalities. For Stitches, it made me notice that the author employed different shades of grey intentionally to emphasize his feelings of depression through the use of shadows on certain areas. Through shadows, he’s actually creating different lighting effects that help to establish the atmosphere.

Initially, I was struggling to organize my ideas into an ABT structure because all the patterns I was planning to analyze point to one general conclusion, so it may easily become an essay with three parallel body paragraphs. So I spent some time reorganizing my thoughts, trying to find if there exists a progressive argument that allows me to gradually dive deeper into my analysis instead of presenting a general rule in the opening paragraph and using all the other paragraphs to prove it. Eventually, I decided to have two body paragraphs, one on visuals and the other on texts, but I will save my concluding remarks to the end which enables me to gradually unfold my arguments.

The title of my essay is “the hidden storyteller”, which resonates well with the focus of the course “secret language of comics.” The process of slowing down and reading one page for several times significantly enhanced my understanding of the comics, and it was during the process of writing about them and comparing the two comics that I was able to notice the patterns I ignored. For instance, after I decided to focus on the representation of emotions in both comics, I began to notice the various ways employed by the two authors that are reflective of how they dealt with emotions. Especially for Fun Home, it was through comparing it with Stitches that I realized how emotionally detached it is. It feels like a documentary of the past, and the narrator is trying to explain it, interpret it, and reflect on it by analyzing herself. On the other hand, Stitches is sentimental, passionate, the emotions are powerful.

The Tracing of Comics

I decided to use these two images as they both tend to represent a great concept that can be analyzed. In both graphic memoirs, they depict what each certain action conveys to each of the family members. I interpreted as a way to maintain stability within the family.

To be honest, I feel like I could have done more with the essay if I had time to map out the concepts I have. I had a great start but I just feel as f it got weak as the essay progressed. I plan on revising it whenever I have time. But the link will be attached below !

Actions Speak Louder Than Words

In many graphic memoirs, the author has a certain idea that carries on with the comic, or leaves the audience in a state of wondering “why did the author choose to include that ?’ Graphic memoirs that incorporate this element well are Fun Home, a graphic memoir written by Alison Bechdal who gives a recount on her life as well as her dad’s past trauma and how that instance had an impact on the author’s family; and Stitches, a graphic memoir written by David Smalls who explains his childhood trauma and how it was dealt over time. Both these graphic memoirs convey a sense of trauma within the family which leaves the protagonists to be in a cycle of distraught or misunderstood: not knowing why certain actions can have a serious impact. Although they are two completely different graphic memoirs with different stories, they both convey a similar aspect that was alluded to as the graphic memoirs progressed.

Out of all the pages in the graphic memoirs, the two main pages that will be analyzed are pages fifteen through eighteen of Stitches, and page one hundred and thirty-four of Fun Home. On the pages mentioned for Stitches, we get an in depth look at the “language” of each member of the family. For instance, David’s mother’s language would be slamming cabinets, David’s father’s language would be punching the boxing speed ball, and Ted would beat on his drums. The strange thing with these actions is that they tend to be in an aggressive state, consisting of alamming or banging on things. In the case of David, however, he mentions that his language is being sick, as that was what he endured throughout his childhood. What the author is trying to convey is a sense of differenceness between him and his family, and how these certain actions helped deal with certain issues they were facing cumulatively.

In Fun Home, the page that was analyzed was one hundred and thirty-four, the author draws out an image in which each family member is enjoying their own creative mind state throughout the house. For instance, the father is playing and fixing his collection of toy airplanes, the mother is playing piano, and the older sister is playing the guitar. Although they each are being in their own creative space, it can still be dissenting. For example, the author mentions how the more they dwelled into their creative state of mind, the more isolated they will be. This helps convey the idea that the actions they perform can lead to a detrimental effect in the family in the long run.

Both Fun Home and Stitches portray their family in a manner of interacting with oneself and how it correlates with the overall theme of each graphic memoir. Although the emotions may differ in Stitches, than that in Fun Home, they both help interpret their family as not being able to express their intended feelings. Their only way of communicating and maintaining a sense of stability was taking it out on what they were known to do. They expressed what they wanted to express through the actions that were conveyed to each member of the family.

Although both graphic memoirs narrate a story unique in their own, they both share a similarity in expressing their feelings through actions, and this can lead them to a sense of stability, but these actions can have detrimental effects therefore leading to a cycle of distraught or misunderstood.

Purposeful-less-ness

My backpack contains: file folder, iPad, masks, and my passport

As someone who tends to forget everything, I always have and hold the same things with me. Apart from my wallet, earphones, and keys on my two pockets, my bag has everything I need to take with me, whenever needed.

The file folder, as weird as it looks, has papers from last year, essential documents, and a wide range of sheets that I have no idea why I’m keeping them, though necessary regardless. The iPad is also essential since I use it for pretty much everything, except for long essays, which neither the folio keyboard nor the magic keyboard can do it. As much as I hate them, masks are required everywhere at Emory, which forces me to have additional masks with me in case I need one or others wanted one (since I have been in the same boat multiple times, where I either forget to bring a mask or lose it). Lastly, my passport has been in my backpack for over two years now. Even though, in several instances, this passport made me have to wait longer at airports (I wonder why?), I keep it with me at all times. It reminds me of home, traveling, and vacationing in the places I love.

Me trying to make my bag as light as possible

Laptop – Need it if you are an Emory Student

Laptop Charger- Must have this as my laptop runs out of battery quickly.

Ipad- Use it to take notes, and read books from ENGRD

Pencil Case- Use it when I take notes on paper

Mouse- For control of my laptop

Earphones- For music, online classes, and videos.

Wallet- Has my credit card and student ID

Mask- I try to carry an extra mask just in case I forget to wear it. 

This image of what’s in my bag shows how I don’t want to have a heavy bag. As I have a gaming laptop with a heavy charger, I try to have a few things as possible in my bag in order to make it as light as possible. It’s not really about staying organized because I normally carry a lot of things with me and am not good at throwing away things that I don’t use a lot. When taking a picture of what’s in my bag, I think it would have been better if I had my Japanese notebook in the photo as Japanese is the subject that is causing me a lot of stress due to its difficulty. During this exercise, I felt the power of a strong single device and how it can speak more than a wordy essay. I think it’s a similar stand with first impressions as the first impression of someone tends to last for a long time, which is similar to the image of what’s in my bag as it can create an image of what kind of person I am. I do think that representing myself in a catalog of the stuff in my bag can be considered as a different type of writing that we are used to doing. This is because, such a catalog was able to deliver a message or information, which is similar to the functions of the type of writing I have been doing. No specific challenges were faced and I rather enjoyed reflecting on myself and making sure to organize my bag after taking everything out. 

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